Training in voice work begins with the cultivation of deep physical awareness. Specific attention will be given to how the body—bones, muscles, breath, and nervous system – relates to healthy vocal production and vocal freedom. Examine how it feels to stand on your feet. Learn about how you live in your body, how you relate to your head and neck and shoulders. Discover how this affects your use of voice and influences healthy vocal spontaneity and expressiveness. Develop curiosity about these sensations and the circumstances and habits that affect them. Work through specific exercises to develop a Level 1 vocal and creative warm up sequence that will become your ongoing practice. Through your warm up become used to the process of checking in: recognizing and allowing the physical/emotional moment you are in and the circumstances that attend it, experiencing the moment, and working from it. Develop a relationship with the habitual patterns that influence how you engage with yourself–your skeletal and muscular structures, autonomic nervous system, your breath and your voice. Develop spontaneity, learning what it feels like to give in to a physical experience. With curiosity, explore and experience rigidity in the body through the release of tension, breathing, and spontaneous truthful sound. Learn the basic anatomy that supports breathing, sound making, and articulation in speech. Throughout Level 1 you are asked to discover your own process and be with others in theirs, so together the group develops a sense of what it means to be heard, seen and understood. This class employs the destructuring and restructuring processes of Fitzmaurice Voicework® devised by Catherine Fitzmaurice. Be advised that this Level requires time to master, and most actors will need a two- or three- term investment at Level 1 to develop awareness and become confident in these practices. All else in voice and speech work will build on this foundation.

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• Registration Prerequisite: Open to all.

In Acting 2, you continue developing the techniques from Acting 1, now applied toward scene work and the demands of crafting and scoring a role. You’ll use Uta Hagen’s object exercises to build habits of attention and unlock your rehearsal process. You’ll apply improvisation to the exploration of character and circumstances, and develop an approach to preparation. Among the skills you’ll practice: discerning beats, intentions, obstacles, and conflict; choosing actions; sensing the turning points in the text; substitution/personalization; endowment of sensory conditions; working with expectations and previous circumstances; finding immediacy in the give and take.

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• Prerequisite: Open to Acting Level 2 and up. New to HB? Submit online for level placement.

Many of the greatest works in the theater and film take place in the American South, from the Carolinas to Georgia to Louisiana. While each area has a distinct culture and dialect, it is an important skill for most actors to be able to confidently inhabit at least one particular accent, and be able to modify from there according to the needs of the story being told. This workshop will approach accents of the American South by focusing in detail on one specific accent, and then exploring varieties found in the neighboring regions.

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• Registration Prerequisite: Open to all.

The Fundamentals of an HB acting technique: Here, you develop the ability to respond truthfully, dynamically, and vividly with fellow actors and the ability to access sensory elements. You tap into the power of imagination and the reservoir of memory. You gain a working understanding of the terms: previous circumstances, destination, inner and outer objects, intentions, obstacles, and conflicts. You develop an awareness of the power, function, and dynamics of “place”, and learn to be in a state of discovery, which leads to actions. You develop tools of research and observation and you get comfortable improvising. You begin to measure yourself against professional standards and develop habits of discipline and a strong work ethic. Do understand that these practices take time to master. It takes about a year (20-30 weeks) at this level to really own the skills addressed. Further scene study or performance work will then take root in this fertile ground. 

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• Required reading: A Challenge for the Actor by Uta Hagen.
• Recommended viewing: Uta Hagen's Acting Class documentary. 
• Prerequisite: Open to all.

For professional performers who desire to return to, or maintain an ongoing relationship with a dynamic and fertile state of learning. The goal: to use the specifics of language, action, subtext, circumstance, and relationships in order to connect with the work at the deepest most personal level. You are encouraged to push boundaries with the aim of building ever more complex characters and situations, allowing and exploring what is powerfully, unexpectedly revealed. Expected rehearsal time outside of class: 6+ hours / week

• Learn more about the instructor
• Prerequisite: Open to Acting Level Studio Practice (Level 4). New to HB? Submit online for level placement.

The Fundamentals of an HB acting technique: Here, you develop the ability to respond truthfully, dynamically, and vividly with fellow actors and the ability to access sensory elements. You tap into the power of imagination and the reservoir of memory. You gain a working understanding of the terms: previous circumstances, destination, inner and outer objects, intentions, obstacles, and conflicts. You develop an awareness of the power, function, and dynamics of “place”, and learn to be in a state of discovery, which leads to actions. You develop tools of research and observation and you get comfortable improvising. You begin to measure yourself against professional standards and develop habits of discipline and a strong work ethic. Do understand that these practices take time to master. It takes about a year (20-30 weeks) at this level to really own the skills addressed. Further scene study or performance work will then take root in this fertile ground. 

• Learn more about the instructor. 
• Required reading: A Challenge for the Actor by Uta Hagen.
• Recommended viewing: Uta Hagen's Acting Class documentary. 
• Prerequisite: Open to all.

This class for teenagers, ages 14-17, builds on the basics of the “Game of Make Believe” introduced in Acting for Young People, starting from improvisations and moving into work on scenes. You will discover how to use yourself, your experiences and imagination to create a character in a play or story. Your belief and whole-hearted commitment to the circumstances of the play make it real for the audience. In an atmosphere of creative play and self-discovery, you will come to understand and experience the level of preparation and discipline you will need to try for a place in the professional theater. We will learn how to prepare for auditions, do monologues, improvisations. We will prepare scenes and present them to our guests in the last class! Please bring a monologue to your first class.

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• Prerequisite: Open to All (ages 14-17)

Held online via Zoom: This is an opportunity for beginning film actors with some film experience to learn the steps needed to prepare to work on a professional film set before the director calls, “Action!” and for the working actor with film experience to stretch, risk, and own their performance at an advanced level after the director calls, “Action!” Let’s integrate your imagination, voice, body, and acting techniques to allow your most truthful work to be seen by the intimate eye of the camera lens. We will practice the art of bringing all your acting skills together, with vulnerability, to be present on film. We will incorporate self-filming as an integral component of this course. Actors will experience creating work through the practice of filming themselves, in class and at home. Let’s find freedom, joy, and presence in the technical world of film. Expected rehearsal time outside of class: 3+ hours/week.

• Learn more about the instructor.
• New Students must: schedule a Zoom meeting with Lisa Pelikan prior to your first day of class. Email her at lpelikan@hbstudio.org.
• Prerequisite: Open to Acting Level 2 and up. New to HB? Submit online for level placement.