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Acting with the Camera 1
with Magaly Colimon
This Level 1 acting class provides an introduction to the technique of living truthfully in front of the camera. You explore the fundamental elements of a grounded acting technique as they relate to the level of intimacy the camera demands. As you practice in front of the camera, you learn to stay open and work freely without hiding or acting for the lens. You develop the ability to listen and connect truthfully with a partner, letting that interaction guide your impulses. You discover the relevance of Uta Hagen’s exercises for on camera work – building the 4th wall, creating place, connecting with sensory aspects of the environment – and begin to understand the level of preparation, specificity, and simplicity the camera demands. You will receive video files of your on-camera footage at no extra charge, included within the cost of the class.
- Learn more about the instructor.
- Prerequisite: Open to All.
Speaking Voice 2
with Ilse Pfeifer
This class employs the destructuring and restructuring processes of Fitzmaurice Voicework® devised by Catherine Fitzmaurice. An ongoing practice class for performers who have gained an embodied understanding of the fundamental principles of Fitzmaurice Voicework addressed in Level 1, and are seeking to develop a personal practice, apply these practices more deeply, and explore applications to rehearsal and performance. This class functions as a workout, giving you the opportunity to build synthesis with the different aspects of your acting work, and also to address specific individual problems and challenges arising from your efforts in performance and rehearsal, further exploring skills and incorporating speech, text, and movement. Working from your growing visceral and kinesthetic bodily awareness, you will continue working through your vocal and creative warm up, taking greater ownership of your practice. You are guided to work with greater ease, spontaneity, and intention, and with a deeper sense of truth. You will work with imagery, directed sound, and movement to communicate with intention. You will examine how intention relates to release and to the support of your voice, as you bring your vocal work to the effort to communicate and the desire to be heard. Learn what intention includes vocally, in terms of inner life and moment-to-moment work. Discover greater resonance and vibrancy, as you become aware of the space around you and consider the need to be heard in any circumstance, with any piece of text. Deepen your release of the jaw and neck and the body overall. Incorporate the expressive powers of articulation, sound, and resonance. You are guided to develop your own vocal practice and challenged to keep venturing beyond your comfort zone. You will explore texts and circumstances with an ever more complex sense of the layering of language, sound, form, and meaning. Participants are encouraged to bring to class a specific play or text, or specific aspects of your work that require integration, that you are working on. This includes body-based needs such as vocal alignment, physical variations to a character’s circumstances, and other needs that can be addressed through voice and movement work. You are encouraged to bring in all of your actor’s background preparatory work such as: text analysis, objectives, and circumstances of the character and of the play over-all. You are also asked to bring in specific questions and observations, relating to healthy vocal and physical expressivity, that arise as you practice and work.
- Learn more about the instructor.
- Prerequisite: Open to Speaking Voice Level 2 and up. New to HB? Submit online for level placement.
On-Camera Acting: Building Your Reel
with Julissa Roman
This class is designed for actors with prior training (Acting Level 2 and above) who are interested in deepening their on-camera work while creating strong, usable material for a professional reel. This class will guide you through the process of selecting, developing, rehearsing, and filming short scenes that highlight your unique strengths and casting potential. We will work with material from film or television—or develop original scenes—with an emphasis on making you the central focus. We will explore how to tailor material that showcases your range and versatility, whether in dramatic, comedic, or mixed tones. Special attention will be given to creating clips that are concise, compelling, and effective for submissions on platforms such as Actors Access, personal websites, and auditions. The goal is for you to complete the term with two to three polished, recorded scenes that reflect different facets of your work and can be used as high-quality clips for your reel. In collaboration with videographer Horacio Rojas, the class will emphasize strong visual storytelling, incorporating thoughtful camera work and lighting to ensure a professional and cinematic result.
- Learn more about the instructor.
- Prerequisite: Open to Acting Level 2 and up. New to HB? Submit online for level placement.
Scene Study 1
with Richard Hoehler
An introduction to the process of preparing and rehearsing a scripted text. Using Uta Hagen’s six steps as a guide, you will work to find authentic inner connection to the character’s details and circumstances and to choose truthful, effective and lively actions. A commitment to rehearse with partners outside of class is required.
- Learn more about the instructor.
- Prerequisite: Open to all.
Scene Study - Studio Practice
with Alfred Molina
For professional performers who desire to return to, or maintain an ongoing relationship with a dynamic and fertile state of learning. The goal: to use the specifics of language, action, subtext, circumstance, and relationships in order to connect with the work at the deepest most personal level. You are encouraged to push boundaries with the aim of building ever more complex characters and situations, allowing and exploring what is powerfully, unexpectedly revealed. Expected rehearsal time outside of class: 6+ hours / week
- Learn more about the instructor
- Prerequisite: Application required. Applications are now closed.
Acting Improvisation
with Charlotte Bydwell
For actors who want to improve their acting skills through improvisation, this class amplifies the technique work in Level 1 and supports the work with scenes in Levels 2 and 3. The first session will be dedicated to the choices you need to make to structure a viable improvisation, with emphasis placed on circumstances, relationships, tension, and subtext. In the following sessions, you will improvise scenes and explore improvisation through games and exercises. There is no work outside of class. Through this inventive process, you develop immediacy, creativity and partnering skills, and hone your instincts for making productive dramatic choices. Actors of all levels are welcome.
- Learn more about the instructor
- Prerequisite: Open to All
Acting with the Camera 1
with David Deblinger
This Level 1 acting class provides an introduction to the technique of living truthfully in front of the camera. You explore the fundamental elements of a grounded acting technique as they relate to the level of intimacy the camera demands. As you practice in front of the camera, you learn to stay open and work freely without hiding or acting for the lens. You develop the ability to listen and connect truthfully with a partner, letting that interaction guide your impulses. You discover the relevance of Uta Hagen’s exercises for on camera work – building the 4th wall, creating place, connecting with sensory aspects of the environment – and begin to understand the level of preparation, specificity, and simplicity the camera demands. You will receive video files of your on-camera footage at no extra charge, included within the cost of the class.
- Learn more about the instructor.
- Prerequisite: Open to All.
Acting with the Camera 1
with Magaly Colimon
This Level 1 acting class provides an introduction to the technique of living truthfully in front of the camera. You explore the fundamental elements of a grounded acting technique as they relate to the level of intimacy the camera demands. As you practice in front of the camera, you learn to stay open and work freely without hiding or acting for the lens. You develop the ability to listen and connect truthfully with a partner, letting that interaction guide your impulses. You discover the relevance of Uta Hagen’s exercises for on camera work – building the 4th wall, creating place, connecting with sensory aspects of the environment – and begin to understand the level of preparation, specificity, and simplicity the camera demands. You will receive video files of your on-camera footage at no extra charge, included within the cost of the class.
- Learn more about the instructor.
- Prerequisite: Open to All.