Held online via Zoom: A combined-level class for actors at level 1 and level 2. Scenes are presented in class for critique, then reworked to explore and apply feedback. Actors at Level 1: For those at the beginning of their acting training, this class will be an introduction to the process of preparing and rehearsing a scripted text. You will work to find authentic inner connection to the character’s details and circumstances and to choose truthful, effective and lively actions. Actors at Level 2: For those at the intermediate level 2, you apply the lessons of Acting 1 and 2 to the preparation, rehearsal, and presentation of scenes from contemporary realist plays (mid-20th century to present). Technique exercises may be introduced diagnostically to address problems as they arise. A commitment to rehearse with partners outside of class is required.

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• Prerequisite: Open to all

Jumping into the fray: A five-week immersion into the creative realities of on-screen acting. If you are new to on-camera work the process can be quite daunting; if you are a theater actor, what you’ve experienced in rehearsal rooms and on stage won’t prepare you for the unique challenges ahead. Even if you’ve worked in front of the camera before, there's the question of how to maximize your limited time with material. From your audition moment to the rehearsal process to the shoot itself, we’ll actually go through these experiences. We’ll explore crucial on-cam techniques and cover all the fundamentals that go into realizing a filmed scene. Geared toward actors with some prior experience, Being On Camera is designed to refine your on-screen skills in a supportive and exciting environment. Created and led by two acclaimed actors each with 30 plus years of work on stage and on both sides of the camera.

• Learn more about the instructors: Amelia Campbell & Anthony Arkin
• Prerequisite: Previous experience acting on-camera is required, such as prior enrollment in Being on Camera 1, Acting with the Camera 1, or equivalent

For professional performers who desire to return to, or maintain an ongoing relationship with a dynamic and fertile state of learning. The goal: to use the specifics of language, action, subtext, circumstance, and relationships in order to connect with the work at the deepest most personal level. You are encouraged to push boundaries with the aim of building ever more complex characters and situations, allowing and exploring what is powerfully, unexpectedly revealed. Expected rehearsal time outside of class: 6+ hours / week

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• Prerequisite: Open to Acting Level Studio Practice (Level 4). New to HB? Submit online for level placement

This class is designed for aspiring, early career and professional actors looking to hone audition technique for theater, film, and TV. Topics covered will include cold readings, working with sides, selecting and perfecting monologues, taking direction in the audition room, and how to put your best foot forward and nail the role.

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• Prerequisite: Open to all

In this workshop, we will explore the fundamental tools and concepts necessary for rehearsing and performing a Shakespeare play. We will begin with two assumptions. First, even if you don’t realize it, you already have everything you need to perform Shakespeare. And second, the best way to understand Shakespeare’s work is to engage with the text actively. His work is meant to be spoken out loud, shared, and performed. His language cries out to exist in the here and now, and an actor’s job is to bring these words out into this moment and time. We will explore a series of speeches and scenes as a group, utilizing the tools that allow an actor to unlock the text and take ownership over the language. Each actor will also be invited to bring in a speech of their own to work on individually in front of the group. Finally, we will spend some time exploring how these tools can be applied to any text, classical or contemporary. By the end of this workshop you will have gained practical experience working on heightened language, a basic understanding of an actor’s main tools for rehearsing Shakespeare’s plays, including use of iambic pentameter, scansion, melody, rhythm, antithesis, pitch, and operative words, and begun the foundational work on a new classical monologue to add to your repertoire. An exciting speech coming from a place of personal truth. For the First Day of Class: Bring a speech that you want to work on from any Shakespeare play. Please be sure to read the full play.

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• Prerequisite: Open to all levels, but prior acting training or experience is required

Led by Oscar-winning actor Mercedes Ruehl, this class is for actors who have begun to establish reliable technique and amass a serious résumé. We will continue to hone technique through exercises and we will concern ourselves with the power of rhythm, of silence, of synchronicity, and the random wellsprings that open when the actor is 100% present in the moment. You will receive a link to register for this class upon acceptance of your application. 

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• Registration Prerequisite: Application required. Apply online

This 5-week course combines character-driven vocal performance with practical skills for musical theater. We will focus on acting the song and building your audition book. We will apply foundational acting techniques to the solo performance of a song, developing your vocal technique while bringing truth, specificity, and the life of the character to each piece. You will also learn about preparation for auditions and what to expect both in ‘In Person’ and ’Self Tape’ scenarios. The course culminates in polished selections and a stronger, more confident presence. Come prepared with a song. Accompanist provided.

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• Prerequisite: Open to all

Body Intelligence focuses on developing the physical and emotional intelligence of the actor. Class utilizes Allan Wayne Work exercises to build physical and mental stamina. These repetitive, circular exercises condition the muscles and break up fascial adhesions while unveiling emotional availability, eroding habitual tension and preventing injury. There are guided creative movement explorations, ensemble, partner and solo work that allow the actor to fully experience moving from their body’s impulses as opposed to being ‘in their head’ to make choices. The focus on embodiment work leads the actor to greater emotional access and safety. Class references concepts from Alexander Technique, Fitzmaurice vocal technique, integral anatomy, Lucid Body, meditation and modern dance.

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• Prerequisite: Open to all.