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Breakthrough Lab
with Snezhana Chernova
For artists who are interested in developing their own projects, this is an independent class working solo or with a partner on an independent study project that you devise, under the guidance of HB faculty, Snezhana Chernova. Examples of projects include: Writing a screenplay/play, doing a podcast, doing a live stream performance series, monologues or scenes, creating a TV pilot, writing music, shooting a documentary or short/feature film, writing poetry etc. You must submit an application at this link for review and approval prior to registering. Within the application you will be asked to include a work-plan, proposed outcome, and the estimated number of hours required to complete the project. Creative projects might be shared in public presentations at the end of the term and/or on HB Studio’s social media channels. Undertaking this Lab requires a commitment to check-ins with the instructor and weekly 2.5 hour group meetings to report objectives, progress, trouble shoot, present projects, and exchange ideas. An additional one-on-one 30 minute session with the instructor may be held each week. This Independent Study Project Lab requires a commitment of 4 hours per week.
- Learn more about the instructor.
- Prerequisite: Application required. Apply online.
Body Intelligence
with Marianna McClellan
Body Intelligence focuses on developing the physical and emotional intelligence of the actor. Class utilizes Allan Wayne Work exercises to build physical and mental stamina. These repetitive, circular exercises condition the muscles and break up fascial adhesions while unveiling emotional availability, eroding habitual tension and preventing injury. There are guided creative movement explorations, ensemble, partner and solo work that allow the actor to fully experience moving from their body’s impulses as opposed to being ‘in their head’ to make choices. The focus on embodiment work leads the actor to greater emotional access and safety. Class references concepts from Alexander Technique, Fitzmaurice vocal technique, integral anatomy, Lucid Body, meditation and modern dance.
- Learn more about the instructor.
- Prerequisite: Open to all.
From Song to Stage: Musical Theater Performance & Auditions
with Rick Negron
This 10-week course combines character-driven vocal performance with practical audition skills for musical theater. In the first five weeks, we focus on acting the song and building your audition book. We will apply foundational acting techniques to the solo performance of a song, developing your vocal technique while bringing truth, specificity, and the life of the character to each piece. In the second five weeks, the class shifts to the audition process, guiding you through mock auditions, self-taping fundamentals, callbacks, and working with a director, in a supportive, hands-on environment. The course culminates in polished selections and a stronger, more confident audition presence. Come prepared with a song. Accompanist provided.
- Learn more about the instructor.
- Prerequisite: Open to all
Scene Study 1
with Lorraine Serabian
An introduction to the process of preparing and rehearsing a scripted text. Using Uta Hagen’s six steps as a guide, you will work to find authentic inner connection to the character’s details and circumstances and to choose truthful, effective and lively actions. A commitment to rehearse with partners outside of class is required.
- Learn more about the instructor.
- Prerequisite: Open to all.
Acting the Song
with Lorraine Serabian
This course applies the skills developed in Acting 1 and 2 to musical performance—to the presentation and articulation of a song, as it arises from the scene and from the life of the character. You will work to balance correct vocal technique and sound production with the effort to bring truth and specificity, both to the song and to the role. Class material addressed may include solo performance, duet, or group scenes and is appropriate for both the professional and aspiring singing actor in whatever genre you may choose to focus your efforts (musical theatre, opera, concert/cabaret). Accompanist provided. Come prepared with a song (memorized and with sheet music properly prepared and in a binder for use by the accompanist).
- Learn more about the instructor.
- Recommended reading: A Challenge for the Actor by Uta Hagen.
- Prerequisite: Open to Singing Level 2 and up. New to HB? Submit online for level placement.
Acting 1
with Michael Beckett
The Fundamentals of an HB acting technique: Here, you develop the ability to respond truthfully, dynamically, and vividly with fellow actors and the ability to access sensory elements. You tap into the power of imagination and the reservoir of memory. You gain a working understanding of the terms: previous circumstances, destination, inner and outer objects, intentions, obstacles, and conflicts. You develop an awareness of the power, function, and dynamics of “place”, and learn to be in a state of discovery, which leads to actions. You develop tools of research and observation and you get comfortable improvising. You begin to measure yourself against professional standards and develop habits of discipline and a strong work ethic. Do understand that these practices take time to master. It takes about a year (20-30 weeks) at this level to really own the skills addressed. Further scene study or performance work will then take root in this fertile ground.
- Learn more about the instructor.
- Prerequisite: Open to all.
Speech 1
with Craig Dolezel
Speech 1 is designed to develop your awareness of the physiological components and physical actions of speech. You will learn speech anatomy, with exploration and play through the vocal tract. The class will make a careful study of all the possible consonant actions and experiment with oral postures. You will begin to explore an international range of possible speech sounds, developing the ability to perceive and experience shades of difference. These fundamental practices will be useful to both native and non-native American speakers. This class draws upon Knight Thompson Speechwork.
- Learn more about the instructor.
- Registration Prerequisite: Open to all.
Scene Study 2
with Michael Beckett
In Scene Study 2, you will apply the lessons of Acting 1 and 2 to the preparation, rehearsal, and presentation of scenes, focusing on contemporary realist plays (mid-20th century to present). Scenes are presented in class for critique, then reworked to explore and apply feedback. Technique exercises may be introduced diagnostically to address problems as they arise.
- Learn more about the instructor.
- Prerequisite: Open to Acting Level 2 and up. New to HB? Submit online for level placement.