Filter by Subcategory
Acting
Actuar en Español: Escenas
with Pablo Andrade
Esta clase, impartida en español, es un curso de nivel combinado (Niveles 1 y 2). Está basada en la técnica de Uta Hagen y diseñada para guiar a los actores en el proceso de preparación y ensayo de textos dramáticos. A través del trabajo de escenas, monólogos y soliloquios, los estudiantes aplicarán los Seis Pasos de Hagen mientras fortalecen herramientas esenciales como objetos internos, sustituciones, transferencias, atribuciones sensoriales y el desarrollo del personajes. Los estudiantes trabajarán con escenas de obras hispanas contemporáneas y clásicas, transitando por un ciclo creativo de descubrimiento, investigación, experimentación y refinamiento. En clase, los actores presentarán su trabajo, recibirán notas y continuarán explorando el arco completo del material—incluyendo el entorno, la partitura física, la vida emocional y las motivaciones—para dar vida a cada escena con honestidad, especificidad y riesgo creativo. Se podrán incorporar ejercicios de técnica según sea necesario para abordar desafíos actorales específicos. Se espera de los estudiantes un compromiso de ensayo con sus compañeros fuera de clase, con una dedicación estimada de 2 a 3 horas semanales de preparación.
- Aprende más sobre el instructor
- Libro necesario para el curso: Un Reto Para El Actor (Artes Escénicas) by Uta Hagen
- Requisito previo: El curso está abierto a actores hispanohablantes de todos los niveles, así como a aquellos para quienes el español es una segunda lengua y desean profundizar su capacidad para actuar en español
Scene Study 2
with Lorraine Serabian
In Scene Study 2, you will apply the lessons of Acting 1 and 2 to the preparation, rehearsal, and presentation of scenes, focusing on contemporary realist plays (mid-20th century to present). Scenes are presented in class for critique, then reworked to explore and apply feedback. Technique exercises may be introduced diagnostically to address problems as they arise.
- Learn more about the instructor
- Prerequisite: Open to Acting Level 2 and up; English proficiency is required. New to HB? Submit online for level placement
Scene Study 3
with Josiah Bania
You apply advanced lessons in technique and text analysis to the preparation, rehearsal, and presentation of scenes from a range of contemporary and classic plays. The work may incorporate Modern (19th/early 20th century) and Classical texts, as well as heightened, non-linear, experimental and Contemporary material. Scenes are presented in class for critique, then reworked to explore and apply feedback. Extensive research, preparation, and rehearsal are expected outside of class. Skills: understanding and realizing the event of the scene; layering conscious and unconscious behavior; applying technique as a tool to solve challenges outside your comfort zone; transformation of self. Through extensive examination, research, and experiment, you discover and rediscover the level of action and commitment needed to fulfill the form and idea of the play. Expected rehearsal time outside of class: 3-6 hours / week
- Learn more about the instructor
- Prerequisite: Open to students placed at Acting Level 3 and up. New to HB? Submit online for level placement
Acting with the Camera 2
with Fred Weller
This advanced scene study track is geared to the particular circumstances of working with the camera on film or video and assumes you are already well grounded in acting technique, text analysis, and contemporary scene work. The class will address the adjustment you must make to the intimacy and immediacy of film, so you become accustomed to doing your best detailed, honest, layered work under the watchful eye of the lens. You learn to manage the tough realities of the film or television job, developing strategies for applying your own technique to the demands of the set. We consider angles, lenses, distances, continuity, and your relationship to the composition of the scene. You learn to work more quickly and more intimately, and to prepare effectively for a performance situation in which it is little or no rehearsal and scenes often occur out of sequence. You learn to respect and understand the financial, technical, and time considerations that govern film production, and cultivate the absolute discipline required to meet them. You will receive video files of your on-camera footage at no extra charge, included within the cost of the class.
- Learn more about the instructor
- Prerequisite: Open to Acting Level 2 and up. New to HB? Submit online for level placement
Acting Improvisation
with David Deblinger
For actors who want to improve their acting skills through improvisation, this class amplifies the technique work in Level 1 and supports the work with scenes in Levels 2 and 3. The first session will be dedicated to the choices you need to make to structure a viable improvisation, with emphasis placed on circumstances, relationships, tension, and subtext. In the following sessions, you will improvise scenes and explore improvisation through games and exercises. There is no work outside of class. Through this inventive process, you develop immediacy, creativity and partnering skills, and hone your instincts for making productive dramatic choices. Actors of all levels are welcome.
- Learn more about the instructor
- Prerequisite: Open to All
Acting with the Camera 1-2
with Magaly Colimon
This beginner-friendly course introduces actors to the craft and realities of acting for film and television while helping adapt theater techniques for the camera. Through scene study, improvisation, script analysis, movement work, and on-camera exercises, you will develop tools for creating authentic, grounded performances under the technical demands of production. You will explore: on-camera presence and stillness; eyeline and framing; behavioral truth and listening; subtext and objective; continuity and blocking; taking direction and adjusting quickly; and working truthfully within technical constraints. The course also introduces you to the rhythm and workflow of a professional set environment while incorporating techniques inspired by Uta Hagen, Michael Chekhov, Lucid Body, and Feldenkrais awareness work. Acting is doing — not playing emotion. Throughout the session, you will work on scenes that culminate in the final 2–3 weeks of the term, during which you will have the opportunity to shoot at least two scenes in a simulated on-set environment while applying the techniques explored throughout the course, for you to consider using for your reel. You will receive video files of your on-camera footage at no extra charge, included within the cost of the class.
- Learn more about the instructor
- Prerequisite: Prior (or simultaneous) enrollment in an Acting Technique class recommended
On-Camera Acting: Building Your Reel
with Julissa Roman
This class is designed for actors with prior training (Acting Level 2 and above) who are interested in deepening their on-camera work while creating strong, usable material for a professional reel. This class will guide you through the process of selecting, developing, rehearsing, and filming short scenes that highlight your unique strengths and casting potential. We will work with material from film or television—or develop original scenes—with an emphasis on making you the central focus. We will explore how to tailor material that showcases your range and versatility, whether in dramatic, comedic, or mixed tones. Special attention will be given to creating clips that are concise, compelling, and effective for submissions on platforms such as Actors Access, personal websites, and auditions. The goal is for you to complete the term with two to three polished, recorded scenes that reflect different facets of your work and can be used as high-quality clips for your reel. In collaboration with videographer Horacio Rojas, the class will emphasize strong visual storytelling, incorporating thoughtful camera work and lighting to ensure a professional and cinematic result.
- Learn more about the instructor
- Prerequisite: Open to Acting Level 2 and up. New to HB? Submit online for level placement
Scene Study 1
with Richard Hoehler
An introduction to the process of preparing and rehearsing a scripted text. Using Uta Hagen’s six steps as a guide, you will work to find authentic inner connection to the character’s details and circumstances and to choose truthful, effective and lively actions. A commitment to rehearse with partners outside of class is required.
- Learn more about the instructor
- Prerequisite: Open to all