The Fundamentals of an HB acting technique: Here, you develop the ability to respond truthfully, dynamically, and vividly with fellow actors and the ability to access sensory elements. You tap into the power of imagination and the reservoir of memory. You gain a working understanding of the terms: previous circumstances, destination, inner and outer objects, intentions, obstacles, and conflicts. You develop an awareness of the power, function, and dynamics of “place”, and learn to be in a state of discovery, which leads to actions. You develop tools of research and observation and you get comfortable improvising. You begin to measure yourself against professional standards and develop habits of discipline and a strong work ethic. Do understand that these practices take time to master. It takes about a year (20-30 weeks) at this level to really own the skills addressed. Further scene study or performance work will then take root in this fertile ground. 

• Learn more about the instructor. 
• Required reading: A Challenge for the Actor by Uta Hagen.
• Recommended viewing: Uta Hagen's Acting Class documentary. 
• Prerequisite: Open to all.

This class will give students the tools needed to read scripts with active curiosity, so that you can bring the script to life in unique and specific ways. Your enhanced understanding of the script will improve your performance. You will explore specific techniques that allow you to identify inciting events, main events, character relationships, themes and genre and all the particulars that make storytelling powerful and clear. The course begins with an introduction to the approach, followed by in-depth analysis of assigned scripts each week. We will be breaking down a screenplay, a play and a popular TV pilot together. You will each explore a character from each of the scripts, and perform excerpts from scripts and/or sides analyzed in this class.

• Learn more about the instructor.
• Prerequisite: Open to Acting Level 2 and up. New to HB? Submit online for level placement.

The Fundamentals of an HB acting technique: Here, you develop the ability to respond truthfully, dynamically, and vividly with fellow actors and the ability to access sensory elements. You tap into the power of imagination and the reservoir of memory. You gain a working understanding of the terms: previous circumstances, destination, inner and outer objects, intentions, obstacles, and conflicts. You develop an awareness of the power, function, and dynamics of “place”, and learn to be in a state of discovery, which leads to actions. You develop tools of research and observation and you get comfortable improvising. You begin to measure yourself against professional standards and develop habits of discipline and a strong work ethic. Do understand that these practices take time to master. It takes about a year (20-30 weeks) at this level to really own the skills addressed. Further scene study or performance work will then take root in this fertile ground. 

• Learn more about the instructor. 
• Required reading: A Challenge for the Actor by Uta Hagen.
• Recommended viewing: Uta Hagen's Acting Class documentary. 
• Prerequisite: Open to all.

Training in voice work begins with the cultivation of deep physical awareness. Specific attention will be given to how the body—bones, muscles, breath, and nervous system – relates to healthy vocal production and vocal freedom. Examine how it feels to stand on your feet. Learn about how you live in your body, how you relate to your head and neck and shoulders. Discover how this affects your use of voice and influences healthy vocal spontaneity and expressiveness. Develop curiosity about these sensations and the circumstances and habits that affect them. Work through specific exercises to develop a Level 1 vocal and creative warm up sequence that will become your ongoing practice. Through your warm up become used to the process of checking in: recognizing and allowing the physical/emotional moment you are in and the circumstances that attend it, experiencing the moment, and working from it. Develop a relationship with the habitual patterns that influence how you engage with yourself–your skeletal and muscular structures, autonomic nervous system, your breath and your voice. Develop spontaneity, learning what it feels like to give in to a physical experience. With curiosity, explore and experience rigidity in the body through the release of tension, breathing, and spontaneous truthful sound. Learn the basic anatomy that supports breathing, sound making, and articulation in speech. Throughout Level 1 you are asked to discover your own process and be with others in theirs, so together the group develops a sense of what it means to be heard, seen and understood. This class employs the destructuring and restructuring processes of Fitzmaurice Voicework® devised by Catherine Fitzmaurice. Be advised that this Level requires time to master, and most actors will need a two- or three- term investment at Level 1 to develop awareness and become confident in these practices. All else in voice and speech work will build on this foundation.

• Learn more about the instructor.
• Registration Prerequisite: Open to all.

You apply advanced lessons in technique and text analysis to the preparation, rehearsal, and presentation of scenes from a range of contemporary and classic plays. The work may incorporate Modern (19th/early 20th century) and Classical texts, as well as heightened, non-linear, experimental and Contemporary material. Scenes are presented in class for critique, then reworked to explore and apply feedback. Extensive research, preparation, and rehearsal are expected outside of class. Skills: understanding and realizing the event of the scene; layering conscious and unconscious behavior; applying technique as a tool to solve challenges outside your comfort zone; transformation of self. Through extensive examination, research, and experiment, you discover and rediscover the level of action and commitment needed to fulfill the form and idea of the play. Expected rehearsal time outside of class: 3-6 hours / week

• Learn more about the instructor
• Recommended viewing: Uta Hagen's Acting Class documentary. 
• Prerequisite: Open to students placed at Acting Level 3 and up. New to HB? Submit online for level placement.

This is a combined level class (beginning to advanced) geared to the particular circumstances of working with the camera on film or video and assumes you are already well grounded in acting technique, text analysis, and contemporary scene work. The class will address the adjustment you must make to the intimacy and immediacy of film, so you become accustomed to doing your best detailed, honest, layered work under the watchful eye of the lens. You learn to manage the tough realities of the film or television job, developing strategies for applying your own technique to the demands of the set. We consider angles, lenses, distances, continuity, and your relationship to the composition of the scene. You learn to work more quickly and more intimately, and to prepare effectively for a performance situation in which it is little or no rehearsal and scenes often occur out of sequence. You learn to respect and understand the financial, technical, and time considerations that govern film production, and cultivate the absolute discipline required to meet them. You will receive video files of your on-camera footage at no extra charge, included within the cost of the class.

• Learn more about the instructor.
• Prerequisite: Open to All.

This class employs the destructuring and restructuring processes of Fitzmaurice Voicework® devised by Catherine Fitzmaurice. An ongoing practice class for performers who have gained an embodied understanding of the fundamental principles of Fitzmaurice Voicework addressed in Level 1, and are seeking to develop a personal practice, apply these practices more deeply, and explore applications to rehearsal and performance. This class functions as a workout, giving you the opportunity to build synthesis with the different aspects of your acting work, and also to address specific individual problems and challenges arising from your efforts in performance and rehearsal, further exploring skills and incorporating speech, text, and movement. Working from your growing visceral and kinesthetic bodily awareness, you will continue working through your vocal and creative warm up, taking greater ownership of your practice. You are guided to work with greater ease, spontaneity, and intention, and with a deeper sense of truth. You will work with imagery, directed sound, and movement to communicate with intention. You will examine how intention relates to release and to the support of your voice, as you bring your vocal work to the effort to communicate and the desire to be heard. Learn what intention includes vocally, in terms of inner life and moment-to-moment work. Discover greater resonance and vibrancy, as you become aware of the space around you and consider the need to be heard in any circumstance, with any piece of text. Deepen your release of the jaw and neck and the body overall. Incorporate the expressive powers of articulation, sound, and resonance. You are guided to develop your own vocal practice and challenged to keep venturing beyond your comfort zone. You will explore texts and circumstances with an ever more complex sense of the layering of language, sound, form, and meaning. Participants are encouraged to bring to class a specific play or text, or specific aspects of your work that require integration, that you are working on. This includes body-based needs such as vocal alignment, physical variations to a character’s circumstances, and other needs that can be addressed through voice and movement work. You are encouraged to bring in all of your actor’s background preparatory work such as: text analysis, objectives, and circumstances of the character and of the play over-all. You are also asked to bring in specific questions and observations, relating to healthy vocal and physical expressivity, that arise as you practice and work.

• Learn more about the instructor.
• Prerequisite: Open to Speaking Voice Level 2 and up. New to HB? Submit online for level placement.

This class is designed for actors with prior training (Acting Level 2 and above) who are interested in deepening their on-camera work while creating strong, usable material for a professional reel. This class will guide you through the process of selecting, developing, rehearsing, and filming short scenes that highlight your unique strengths and casting potential. We will work with material from film or television—or develop original scenes—with an emphasis on making you the central focus. We will explore how to tailor material that showcases your range and versatility, whether in dramatic, comedic, or mixed tones. Special attention will be given to creating clips that are concise, compelling, and effective for submissions on platforms such as Actors Access, personal websites, and auditions. The goal is for you to complete the term with two to three polished, recorded scenes that reflect different facets of your work and can be used as high-quality clips for your reel. In collaboration with videographer Horacio Rojas, the class will emphasize strong visual storytelling, incorporating thoughtful camera work and lighting to ensure a professional and cinematic result.

• Learn more about the instructor.
• Prerequisite: Open to Acting Level 2 and up. New to HB? Submit online for level placement.