Whether you are new to acting or have some experience, this workshop is designed for those who are interested in exploring acting as a means of expression. Specifically designed exercises, improvisations, and micro scenes and monologues ease newcomers into the craft of acting, help discover one’s true self, and foster a strong connection with others. Comfortability on stage is a priority as well as a clear understanding of acting technique: choosing a specific action as the means to work through obstacles and achieve objectives.

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• Prerequisite: Open to all.

For artists who are interested in developing their own projects, this is an independent class working solo or with a partner on an independent study project that you devise, under the guidance of HB faculty, Snezhana Chernova. Examples of projects include: Writing a screenplay/play, doing a podcast, doing a live stream performance series, monologues or scenes, creating a TV pilot, writing music, shooting a documentary or short/feature film, writing poetry etc. You must submit an application at this link for review and approval prior to registering. Within the application you will be asked to include a work-plan, proposed outcome, and the estimated number of hours required to complete the project. Creative projects might be shared in public presentations at the end of the term and/or on HB Studio’s social media channels. Undertaking this Lab requires a commitment to check-ins with the instructor and weekly 2.5 hour group meetings to report objectives, progress, trouble shoot, present projects, and exchange ideas. An additional one-on-one 30 minute session with the instructor may be held each week. This Independent Study Project Lab requires a commitment of 4 hours per week.

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• Prerequisite: Application required. Apply online.

In this workshop, we will explore the fundamental tools and concepts necessary for rehearsing and performing a Shakespeare play. We will begin with two assumptions. First, even if you don’t realize it, you already have everything you need to perform Shakespeare. And second, the best way to understand Shakespeare’s work is to engage with the text actively. His work is meant to be spoken out loud, shared, and performed. His language cries out to exist in the here and now, and an actor’s job is to bring these words out into this moment and time. We will explore a series of speeches and scenes as a group, utilizing the tools that allow an actor to unlock the text and take ownership over the language. Each actor will also be invited to bring in a speech of their own to work on individually in front of the group. Finally, we will spend some time exploring how these tools can be applied to any text, classical or contemporary. By the end of this workshop you will have gained practical experience working on heightened language, a basic understanding of an actor’s main tools for rehearsing Shakespeare’s plays, including use of iambic pentameter, scansion, melody, rhythm, antithesis, pitch, and operative words, and begun the foundational work on a new classical monologue to add to your repertoire. An exciting speech coming from a place of personal truth. For the First Day of Class: Bring a speech that you want to work on from any Shakespeare play. Please be sure to read the full play.

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• Prerequisite: Open to all levels, but prior acting training or experience is required.

The Method of Etudes, developed by Konstantin Stanislavsky, helps you to improve your ability as an actor to be in the moment on stage, using your impulses, images and words. You will develop acting technique through the practice of independent work, or etudes (meaning” study” in French, widely used in music and art). You will learn how to be yourself in imaginary circumstances, how to observe, select and recreate life around you. This workshop will help you discover your inner emotional life and physical awareness, awake your creativity, and develop your skills as an actor. An actor without imagination is an empty vessel. Creativity and imagination come from evoking your inner potentials, observing life around you, finding magic in simple things, and bringing them to life through your point of view! Classes will start with a warm up. Please wear comfortable clothes and be ready to move and enjoy the process of discovery.

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• Registration Prerequisite: Open to all.

Explore the powerful world of two-time Pulitzer Prize-winning playwright Lynn Nottage through scene work drawn from SWEAT and CLYDE'S. Led by actor Reza Salazar, who performed in both original productions, this class gives actors firsthand insight into Nottage’s richly textured language, complex characters, and social urgency. The work emphasizes authenticity, emotional truth, and deeply grounded contemporary performance.

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• Prerequisite: Open to all. 

Voice Over director Theresa Buchheister has directed and sound-engineered 100s of audiobooks, including How Music Works with Andrew Garman, The Perks of Being a Wallflower with Noah Galvin, Leaving the Sea with Brian Hutchison, Lydia Davis Collected Stories with a variety of actors, Wild Boys with Luis Moreno, and many, many more. Theresa has narrated (under their name and a pseudonym) over 50 books, including erotica, young adult and educational texts. Over the course of this workshop, Theresa will introduce you to the basic skills and valuable practices of audiobook voiceover performance. First, we will start at the very beginning: genre differences, preparation questions, common terms, valuable warm-ups and tricks, differentiation from other areas of voice acting, what your voice is best suited to, focus and clarity, and more. Next, we will put these into practice: subtle shifts in vocal characterization, flow and breath, dialogue pacing, tonal qualities within genres. You will be sent away with homework – selecting books that are a good fit for your voice – and you will have the opportunity to perform an in-class, expanded audition. We will start and stop, make adjustments, and get a clean take of your pieces.

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• Registration Prerequisite: Open to all.

Shakespeare's plays are so actable because they are written by an Actor, one of us. In this workshop for actors with some prior experience with Shakespere, you will explore in scene-study how to be spontaneously 'in character' in a Shakespeare play. As Hamlet says: "The readiness is all".

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• Prerequisite: Application required. Apply Online. (Prior participants of any Shakespeare class at HB may register without applying.)