Viewpoints is a dynamic, physical approach to actor training rooted in post-modern dance. Developed by Mary Overlie and expanded by Anne Bogart’s SITI Company, the technique breaks performance into key elements of time and space—initially Mary Overlie’s Six Viewpoints (Shape, Space, Time, Emotion, Movement, Story), later extended by Anne Bogart to Nine (Spatial Relationship, Kinesthetic Response, Shape, Gesture, Repetition, Architecture, Tempo, Duration, and Topography). This course uses movement improvisation, ensemble-building exercises, and composition techniques to explore Viewpoints as both a physical practice and a creative framework. Students will engage in solo and group work to build ensemble awareness, spontaneity, and theatrical invention. Through rigorous physical training and collaborative exploration, actors learn to create meaningfully in time and space, applying Viewpoints in rehearsal and devised performance. As a group, the class will create Viewpoint driven ensemble improvised events and compositions with text. Emphasis is placed on honest expression, creative risk-taking, and working as a cohesive ensemble.

• Learn more about the instructor.
• Registration Prerequisite: Open to all.

The extremely practical acting exercises found in Uta Hagen’s world-famous books, Respect for Acting and A Challenge for the Actor, probe the depths and heights of human behavior. They offer the actor a structure for lifelong practice exploring the dynamic interaction between sensory/emotional experience and the creative imagination. Uta Hagen’s approach to acting works. She challenges the actor to develop skills continually. She offers avenues of creativity that, with an open imagination and expanding sense of self, are unlimited. Her ongoing process of self-observation and self-discovery fortifies your ability to respond truthfully, dynamically, and vividly with fellow actors, releasing unpremeditated truthful behavior in performance. Over time, you find yourself creatively alive and present in the process. Taught by Kelly Wolf, who trained directly with Uta Hagen. Held at HB Studio, the birthplace of the Hagen exercises.

• Learn more about the instructor.
• Required Reading: A Challenge for the Actor by Uta Hagen.
• Prerequisite: Open to all. 

Explore the powerful world of two-time Pulitzer Prize-winning playwright Lynn Nottage through scene work drawn from SWEAT and CLYDE'S. Led by actor Reza Salazar, who performed in both original productions, this class gives actors firsthand insight into Nottage’s richly textured language, complex characters, and social urgency. The work emphasizes authenticity, emotional truth, and deeply grounded contemporary performance.

• Learn more about the instructor.
• Prerequisite: Open to all. 

Voice Over director Theresa Buchheister has directed and sound-engineered 100s of audiobooks, including How Music Works with Andrew Garman, The Perks of Being a Wallflower with Noah Galvin, Leaving the Sea with Brian Hutchison, Lydia Davis Collected Stories with a variety of actors, Wild Boys with Luis Moreno, and many, many more. Theresa has narrated (under their name and a pseudonym) over 50 books, including erotica, young adult and educational texts. Over the course of this workshop, Theresa will introduce you to the basic skills and valuable practices of audiobook voiceover performance. First, we will start at the very beginning: genre differences, preparation questions, common terms, valuable warm-ups and tricks, differentiation from other areas of voice acting, what your voice is best suited to, focus and clarity, and more. Next, we will put these into practice: subtle shifts in vocal characterization, flow and breath, dialogue pacing, tonal qualities within genres. You will be sent away with homework – selecting books that are a good fit for your voice – and you will have the opportunity to perform an in-class, expanded audition. We will start and stop, make adjustments, and get a clean take of your pieces.

• Learn more about the instructor.
• Registration Prerequisite: Open to all.